Anna Celeste Edmonds

A sound artist, field recordist and researcher with a love for heritage sites, ruins and buildings at risk.
 
Anna Celeste Edmonds

Anna Celeste Edmonds

Sound Artist | Field Recordist | Researcher

Soundwalks

During Anna’s PhD research with SEAHA-CDT and University of Brighon, heritage partner The Regency Town House, and industry partner Echoes, A series of immersive soundwalks were created at the site of Brunswick Square, Brighton &...

Compositions

A list of songs, readings, and piano and voice pieces. Listen Don’t Touch Fleeting Space From Under the Floorboards It Matters Exploration of Themes The Cracks of Time Found Object Sound

Field

This section contains works made at different sites out in the field. Some are bigger projects, while others are more brief field recordings taken in situ at locations such as heritage buildings, historic ruins, and...

Home

Welcome, my name is Anna and I am a sound artist, field recordist, and SEAHA-CDT PhD researcher; who has a fascination with heritage sites, landscapes, and documenting my surrounding environment, what ever shape it may take. I have over 12 years of music writing, field recording, and sound editing experience, with 4 years working on locative immersive listening experiences for mobile media. This site is a portfolio of my work; some large-scale works, finalised compositions and projects, and others experiments and documentation. There are pictures and sounds, as well as writing displaying some of my past and current thoughts. This site is a constant work in progress, so thank you for your patience as more of my work unfolds.

‘To the Grass’ – stereo mix of ambisonic piano and sound effect composition, heard in ‘Re/collections’ soundwalk. Recorded on Sennheiser Ambeo VR and Zoom H6 field recorder.

Note: all audio recordings and their content presented on this website are owned by Anna Edmonds; this includes musical compositions, field recordings, and dialogue. This also extends to written content found here, and papers. In the few cases where there are exceptions to this, it is stated alongside the works.